
White SBS cardstock
A bright, smooth sheet. Photography, gradients and fine type all hold their detail, and colors sit where the proof says they will.
Foil or paper · Wraps a filled cone completely
Flat printed sheets, die-cut so they twist closed around a filled cone. Foil-laminated stock keeps frost and freezer odors off the product; plain paper does the same job for cones that sell the same day.



500
Minimum per design
Volume pricing from 1,000
6–7 days
Standard production
After you approve the proof
Free
Dieline and proof
Built around your item
Worldwide
Tracked shipping
Quoted with the job
In short
Ice cream cone wrappers are die-cut printed sheets that fold or twist around a filled cone to seal it before freezing. The Cone Sleeves prints them in foil-laminated or plain food-safe paper, cut to your cone, from a minimum of 500 pieces per design with a free proof and 6–7 business day production.
The sheet closes above the fill rather than stopping at the rim, so the ice cream is covered in storage and transit.
A foil-laminated face blocks moisture and odor transfer, which is what stops a stored cone tasting of everything else in the cabinet.
Wrappers ship as flat sheets, so a large quantity takes a fraction of the space that pre-formed packaging would.
A petal-cut sheet twists shut in one motion, which matters when somebody is wrapping several hundred cones in a shift.
Metallic stock makes flat color read brighter than it does on white board, which suits seasonal and novelty designs.
Where cones sell the same day, plain paper does the job at a lower cost and stays in the paper recycling stream.
Printed work
Every run below started as somebody's artwork on plain board. Yours is quoted the same way, whatever the shape.






Specifications
These are the options we quote against. If you need something outside them, ask — most custom sizes and finishes are possible, and the quote will say so plainly.
| Stock | Foil-laminated paper for frozen storage, or plain food-safe paper for same-day sale |
|---|---|
| Shape | Flat die-cut sheet, circular or petal cut, folded or twisted closed by hand |
| Sizes | Cut to the cone diameter and fill height you use; dieline free |
| Printing | Full-color CMYK or spot colors; foil stock takes bold flat color best |
| Barrier | Foil lamination resists frost, odor transfer and light |
| Minimum order | 500 pieces per design; volume pricing from 1,000 pieces |
| Turnaround | 6–7 business days after proof approval; 3–4 day rush on request |
| Artwork | PDF, AI or EPS at 300 dpi with 3 mm bleed; dieline supplied first |

Foil lamination adds a physical barrier between the ice cream and everything around it. In a busy cabinet that carries fish, bread and frozen fruit, that barrier is the difference between a cone that tastes of vanilla and one that does not.
It also blocks light, which slows the color fade you see on fruit-based products stored under bright cabinet lighting. On a cone sold the same day, neither of those matters and plain paper is the sensible specification.
Cost sits between the two: foil is dearer per sheet but rarely by enough to change a decision, and the quote prices both so the comparison is on paper rather than in the abstract.

A wrapper is a flat sheet until somebody closes it, and the cut shape decides how easy that is. A plain circle twists closed but leaves bunched material at the top. A petal cut, with shallow scallops around the edge, folds into itself and sits flatter.
For hand wrapping we usually recommend the petal cut, because it is forgiving of a rushed twist. For machine wrapping the shape follows the equipment, so we cut to the specification rather than to a preference.
Either way the dieline is built around your cone and your fill height, and the proof is cut so you can wrap a real cone before the run goes ahead. Where a cone is sold open rather than sealed, rolled sleeves that close over the top are the closer comparison.

Metallic stock behaves differently from white board. Ink sits on a reflective surface, so light colors look washed out and dark colors gain depth. Designs that lean on flat, saturated blocks read very well; soft pastels rarely do.
White is worth thinking about carefully, because there is no white ink under the artwork unless you ask for it. Without an opaque white underprint, anything set to white shows as bare foil.
We flag that on the proof rather than after the run, and the extra white layer is a small cost when the design needs it.
Send a sample or a photo with a ruler beside it and we cut the dieline to fit. There is no charge for the dieline or the digital proof.
Ask a questionMaterials and printing
Three boards and three ways to print on them. Every combination below is quoted the same way, so the choice is about how you want the packaging to feel in the hand.

A bright, smooth sheet. Photography, gradients and fine type all hold their detail, and colors sit where the proof says they will.

Unbleached brown board. Ink sits into the surface rather than on top of it, which mutes bright colors and reads as craft and small-batch.

Post-consumer fiber with a slight fleck through it. It takes a one or two color mark well and tells the customer what it is without a claim printed on it.

Four process inks. The right choice when the artwork is a photograph, an illustration or anything with a gradient in it.

One ink on plain board. It is the least expensive way to print a run and, on kraft, it is often the better looking one.

A mixed ink matched to a Pantone reference. Use it when a brand color has to be exact across every reprint.
Quote configurator
Five short steps. Answer what you know, skip what you do not, and we come back with a written price and a free dieline.
Questions
A sleeve is a band that grips the middle of a cone and stays on while it is eaten. A wrapper is a sheet that closes over the whole cone and is removed before eating. Wrappers are for cones that are stored; sleeves are for cones that are handed over.
Foil laminated to paper is a mixed material, so most curbside systems will not take it. If recyclability is the priority, choose the plain paper wrapper instead and accept the shorter storage window that comes with it.
Yes, with an opaque white layer laid down first. Without it, anything white in the artwork shows as bare metal. We will point this out on the proof and price the extra layer separately so you can decide.
That depends on your product and your cabinet, not on the wrapper. What the foil does is slow frost and odor transfer, which is usually the limiting factor for taste rather than food safety. Your own shelf-life testing should set the date.
Pre-cut flat sheets as standard, boxed in counts of 500. Roll stock is possible for automated lines but needs a minimum well above 500 pieces to be worth the tooling, so tell us up front if that is what you need.
It can, and it usually must if the cone is sold as a packaged product. Send the panel content with your artwork. We will keep it on the part of the sheet that stays flat and visible after the wrapper is twisted closed.
Larger than most people estimate, because the fill sits well above the rim. Send the cone height, the rim diameter and the fill height and we will work the sheet size out. Guessing here is the single most common cause of a wrapper that will not close.
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Send your size, quantity and artwork. You get a written quote and a free digital proof before anything goes to press.