
White SBS cardstock
A bright, smooth sheet. Photography, gradients and fine type all hold their detail, and colors sit where the proof says they will.
Straight or angle cut · Window optional
Printed sleeves that hold a half-cut sub, baguette or wrap together, show the filling to the customer, and give you a clean panel for your label. Made for delis, cafes and grab-and-go chillers.
From $0.50 per sleeveVolume pricing from 500 units · final price on your quote




500
Minimum per design
Volume pricing from 1,000
6–7 days
Standard production
After you approve the proof
Free
Dieline and proof
Built around your item
Worldwide
Tracked shipping
Quoted with the job
In short
Sandwich sleeves are printed board wraps that hold a cut sandwich, baguette or wrap together and present the filling face outward for display. They come straight-cut for a full sandwich or angle-cut for a diagonally halved sub, with an optional open window. The Cone Sleeves prints them from 500 pieces per design, with a free digital proof and 6–7 business day production.
An angled front or an open window puts the cut face of the sandwich in view, which is what sells it from a chiller shelf.
A cut sub tries to fall apart. The sleeve keeps both halves aligned so the sandwich still looks built when the customer opens it.
We leave a clean panel where your allergen, date or price sticker goes, so the label never lands across your logo.
Flat sides mean sleeves sit upright and face forward in a grab-and-go unit instead of sliding into a heap by mid-morning.
Board takes the steam off a pressed sandwich better than film, which fogs and drips as soon as it comes out of the press.
A 12-inch sub, a sourdough round and a tortilla wrap need three different dielines. We cut to the bread you actually buy.
Printed work
Every run below started as somebody's artwork on plain board. Yours is quoted the same way, whatever the shape.




Specifications
These are the options we quote against. If you need something outside them, ask — most custom sizes and finishes are possible, and the quote will say so plainly.
| Fits | Half-cut subs, baguettes, paninis, club sandwiches, wraps and rolls |
|---|---|
| Cut style | Straight band, angled front for a diagonal cut, or stepped tuck-close |
| Window | Open die-cut aperture on request — no film, so the board still recycles |
| Board | White SBS cardstock, natural kraft or recycled board |
| Printing | Full-color CMYK, single-color logo or Pantone spot colors |
| Label space | Blank panel sized for your allergen, date or price sticker |
| Minimum order | 500 pieces per design |
| Turnaround | 6–7 business days after proof approval; 3–4 day rush on request |

This is the first thing to settle, because it changes the dieline and the way staff pack.
Delis with a chiller almost always want the angle cut. Cafes serving to the table are usually better off with the plain band, and many kitchens order both on one artwork so the branding matches across the counter and the shelf.

A window is an open die-cut aperture in the front panel. There is no film across it, which keeps the sleeve in the paper recycling stream and avoids the fogging you get with a plastic-fronted pack.
The argument for one is simple: shoppers buy the sandwich they can see. In a self-service chiller, an exposed cut face lifts a pack above the ones wrapped in printed board that hides everything. The argument against is print area — every square inch of window is an inch you cannot print on, and on a small sleeve that can leave no room for a logo that reads at arm’s length.
A window also loses on anything wet or dressed, since an open aperture will not hold sauce in, and it weakens the front panel, so a large opening needs heavier board. If display is the goal but the filling is messy, the angle cut alone gives most of the visibility — see our notes on board choices for printed sleeves.

Retail display is a different job from table service, and it is the part most sandwich packaging gets wrong. In a chiller the sleeve has three tasks at once: stand up, face forward, and carry the information a shopper and a store need before the pack is opened.
Plan the label space before the artwork. Allergen and ingredient lists, date coding and a price or barcode sticker all have to land somewhere, and if you have not reserved a panel they will end up over your logo. We mark a clear zone on the proof sized to the label stock you actually use — tell us the label dimensions and where your printer applies it.
Facing matters too. A sleeve with flat sides and a square base holds its line in a stacked unit; a loose band slumps and the shelf looks picked over by ten in the morning. If your display is an open counter rather than a chiller, a printed open food tray presents cut sandwiches flat and is what most buyers mean when they ask for an open sandwich tray.

White SBS cardstock is the usual pick for retail, because pack shots, ingredient photography and light backgrounds all hold their color on it. Natural kraft reads as artisan and suits a one- or two-color logo, but it shifts every printed color warmer, so a fresh green salad graphic will not look fresh on brown board. Recycled board sits close to white for sharpness with a visibly reclaimed texture.
Print in full-color CMYK for photographic or illustrated designs, a single color where the logo is doing all the work, or Pantone spot colors when the sleeve has to match cups and bags already in your store.
Send artwork as PDF, AI or EPS at 300 dpi with 3 mm bleed. On an angle-cut sleeve, watch the diagonal: type set parallel to the bottom edge will look crooked against the cut, so we usually align key text to the angle instead. Our guide to preparing artwork for printed sleeves covers the file problems that cause most proofing delays, and dieline setup is free either way.
Send a sample or a photo with a ruler beside it and we cut the dieline to fit. There is no charge for the dieline or the digital proof.
Ask a questionMaterials and printing
Three boards and three ways to print on them. Every combination below is quoted the same way, so the choice is about how you want the packaging to feel in the hand.

A bright, smooth sheet. Photography, gradients and fine type all hold their detail, and colors sit where the proof says they will.

Unbleached brown board. Ink sits into the surface rather than on top of it, which mutes bright colors and reads as craft and small-batch.

Post-consumer fiber with a slight fleck through it. It takes a one or two color mark well and tells the customer what it is without a claim printed on it.

Four process inks. The right choice when the artwork is a photograph, an illustration or anything with a gradient in it.

One ink on plain board. It is the least expensive way to print a run and, on kraft, it is often the better looking one.

A mixed ink matched to a Pantone reference. Use it when a brand color has to be exact across every reprint.
Sandwich Sleeves designer
Build the specification for sandwich sleeves step by step — size, board, print and finish — and send it for a quote. Five short steps, no account.
Questions
It is a printed board wrap that goes around a sandwich rather than enclosing it. It holds a cut sandwich together, keeps hands off the bread, presents the filling to the customer and carries your branding and label. Delis use them in chillers; cafes use them for counter and table service.
One with a diagonal front edge, made for a sub or baguette cut at 45 degrees. The cut face of the sandwich sits proud of the board so the filling is visible. It is the format almost every grab-and-go chiller uses, because a shopper buys what they can see.
Rarely. A 12-inch sub, a tortilla wrap and a pressed panini differ in both girth and length, and a sleeve loose enough for all three holds none of them properly. Most kitchens run two dielines on the same artwork. Send the bread you buy and we will tell you which sizes you actually need.
Yes, as an open die-cut aperture with no film across it, which keeps the whole sleeve recyclable. Remember that the window costs you print area and some panel stiffness, so on smaller sleeves we often suggest a heavier board or a slightly smaller opening than first drawn.
On a panel we reserve for them at the proof stage. Give us the size of your label stock and where your applicator places it, and we keep that area clear of artwork. Getting this right at proof avoids the common outcome of a price sticker sitting squarely over your logo.
They work better than film. Board lets steam out of a hot panini instead of trapping it, so the crust does not go soft in the first two minutes. For very oily fillings, ask for a laminated stock, which keeps the print clean where the sandwich sits.
Yes. Sleeves are for a sandwich in a hand or a chiller; an open tray is for cut halves presented flat on a counter or a catering table. Both print from the same artwork, so a deli can run matching sleeves and trays. Ask for both on one quote and compare.
Related products
Free quote · No obligation
Send your size, quantity and artwork. You get a written quote and a free digital proof before anything goes to press.