
White SBS cardstock
A bright, smooth sheet. Photography, gradients and fine type all hold their detail, and colors sit where the proof says they will.
Rigid board · Holds its shape warm or cold
The stiff option. Cardboard holds a cone upright, absorbs more melt before it softens and gives a printed design a flat, solid face, which is why most branded cone programs end up here.



500
Minimum per design
Volume pricing from 1,000
6–7 days
Standard production
After you approve the proof
Free
Dieline and proof
Built around your item
Worldwide
Tracked shipping
Quoted with the job
In short
Cardboard cone sleeves are rigid paperboard wraps that hold a cone steady, soak up drips and carry printed branding. The Cone Sleeves cuts them to your exact cone diameter on white SBS, natural kraft or recycled board, from 500 pieces per design, with a free dieline and proof and 6–7 business day production.
Board keeps its shape when a cone is warm and soft, so a filled cone can be handed over without the sleeve collapsing around it.
A thicker sheet takes more melt before it softens, which matters when customers walk with the cone rather than eating it at the counter.
The stiffness gives artwork a flat surface to sit on, so logos and type stay crisp instead of distorting around the roll.
Lamination, spot UV and foil all work on board. None of them are possible on the thinnest paper stocks.
The same dieline runs on bleached white for photographic artwork or unbleached kraft when the shop wants a plainer look.
We store your dieline and proof, so the second order needs nothing but a quantity and a date.
Printed work
Every run below started as somebody's artwork on plain board. Yours is quoted the same way, whatever the shape.








Specifications
These are the options we quote against. If you need something outside them, ask — most custom sizes and finishes are possible, and the quote will say so plainly.
| Board | White SBS cardstock, natural kraft or recycled board, 250–350 gsm |
|---|---|
| Shape | Wrapped cone with a glued or interlocking seam, cut to your cone |
| Sizes | Mini, standard, jumbo and custom diameters; dieline built free |
| Printing | Full-color CMYK, one or two color, or Pantone spot colors |
| Finish | Gloss or matte lamination, spot UV, foil stamping, or uncoated |
| Minimum order | 500 pieces per design; volume pricing from 1,000 pieces |
| Turnaround | 6–7 business days after proof approval; 3–4 day rush on request |
| Packing | Nested flat in cartons of 500, boxed to survive courier handling |

Board for cone sleeves usually sits between 250 and 350 gsm. At the lighter end the sleeve is easy to open one-handed and cheaper per piece. At the heavier end it grips harder, resists a soft cone pushing through, and feels closer to a premium dessert.
Heavier is not automatically better. A 350 gsm sleeve on a small kids cone is stiff enough to crack the wafer as staff push it in, so we match the weight to the cone rather than to a price point.
Tell us the cone you serve and how long a customer typically holds it, and the quote will name a specific board weight rather than a range.

Natural kraft is unbleached, so ink sits into the surface and colors come out muted and warm. It reads as small-batch, and a one-color logo on kraft often looks more expensive than four colors on white.
White SBS is the opposite. Bleached and coated, it holds photographic detail and bright brand colors exactly as they appeared on the proof, which is what most franchise groups need for consistency across sites.
If your menu is split between an artisan line and a mainstream one, running both boards on the same dieline is straightforward, and the pricing works out close to a single-board order of the same total quantity. Shops that want the plainest possible look often pair kraft board with lighter paper cone wraps for everyday service.

A two-color job uses two mixed inks rather than four process ones. It is the sweet spot for cone sleeves: strong enough to carry a brand mark and a background tint, cheap enough that a small shop can afford a proper run.
Because the inks are mixed rather than built from dots, flat areas stay flat and edges stay hard, even on textured kraft where process printing can look grainy.
The trade-off is that photographs do not reproduce. If your artwork depends on a picture of the product, four-color is the only honest answer and the proof will show you exactly how it lands on your chosen board.
Send a sample or a photo with a ruler beside it and we cut the dieline to fit. There is no charge for the dieline or the digital proof.
Ask a questionMaterials and printing
Three boards and three ways to print on them. Every combination below is quoted the same way, so the choice is about how you want the packaging to feel in the hand.

A bright, smooth sheet. Photography, gradients and fine type all hold their detail, and colors sit where the proof says they will.

Unbleached brown board. Ink sits into the surface rather than on top of it, which mutes bright colors and reads as craft and small-batch.

Post-consumer fiber with a slight fleck through it. It takes a one or two color mark well and tells the customer what it is without a claim printed on it.

Four process inks. The right choice when the artwork is a photograph, an illustration or anything with a gradient in it.

One ink on plain board. It is the least expensive way to print a run and, on kraft, it is often the better looking one.

A mixed ink matched to a Pantone reference. Use it when a brand color has to be exact across every reprint.
Quote configurator
Five short steps. Answer what you know, skip what you do not, and we come back with a written price and a free dieline.
Questions
Around 300 gsm suits most standard waffle and sugar cones. We drop to 250 gsm for small kids cones so the wafer is not stressed on the way in, and go to 350 gsm for jumbo cones or where a customer will carry it some distance.
For anything eaten away from the counter, yes. Board absorbs more melt before it softens and holds the cone straight while it does. Paper is thinner and cheaper, and it is the better answer for a cone eaten within a couple of minutes.
Yes, though on board it costs a little more than on paper because the sheet has to pass the press twice. Inside printing shows when the sleeve is held at an angle, so keep it to a pattern or a short line rather than detail that needs reading.
We do. An interlocking seam lets staff assemble sleeves on site and ships flatter, which helps if storage is tight. A glued seam is faster at the counter because the sleeve arrives ready to use. The quote prices both if you ask.
A plastic lamination makes recycling harder in most municipal systems. If that matters, ask for an uncoated board or a matte varnish instead, both of which keep the sleeve in the paper stream while still resisting light handling marks.
Nested and flat, boxed in cartons of 500. A thousand pieces takes roughly the footprint of a case of wine, which is worth knowing if your storage is a shelf under the counter rather than a stockroom.
Yes. Send the Pantone reference with your artwork and we mix that ink rather than building the color from process dots. Bear in mind that the same Pantone reads warmer on kraft than on white board, and the proof will show you the difference.
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Free quote · No obligation
Send your size, quantity and artwork. You get a written quote and a free digital proof before anything goes to press.